Screen-printed aesthetics. Intentional misregistration. Four ink drums, one pass at a time.
4
Ink Colors
2-3
Per Section
100ms
Transition
0
Blur Allowed
02 / Components
Each component follows Misregistration Offset, Instant Print, and Overprint Illusion rules.
Buttons — Misregistration Offset on Hover
hover: dual-shadowhover:shadow-[6px_6px_0_#2563eb,-4px_-4px_0_#ff8a00] active:bg-[#2563eb] duration-100 ease-linearCards — Registration Shift Green Corner
hover: corner locks in01
The first drum lays fluorescent pink. Solid fills, bold shapes — no blending yet.
02
Blue passes second. Text and geometry gain cool contrast against the warm paper.
03
Where pink and blue overlap, a third color emerges — the signature of Riso.
Input — Focus Misregistration Shadow
focus: blue border + pink shadowfocus:border-[#2563eb] focus:shadow-[2px_2px_0_#ff6b9d]
No border-radius — hard-edge Riso style
03 / Halftone
Halftone is the foundational visual language of Risograph. Each ink drum can produce dot patterns at different densities and angles.
Pink Dots
radial-gradient 1px
Blue Dots
radial-gradient 1px
Orange Dots
radial-gradient 1px
Green Dots
radial-gradient 1px
Halftone + Overprint Combination
In real Risograph printing, when two ink layers overlap, the result is a new color formed by the transparent soy inks mixing optically. This is called overprinting — the defining characteristic of Riso.
04 / Ink Layers
Each color requires a separate drum pass. Select a layer to inspect the print run — real Riso printers handle one ink at a time.
01
PrimaryInk hex: #ff6b9d. Each pass through the drum deposits a flat layer of soy ink on warm newsprint. Slight mechanical offset between passes creates the hallmark misregistration effect.
05 / Ink Palette
The Risograph palette is strictly limited to the available drum inks. Combine two or three at most per composition. Never use more.
FL. Pink
#ff6b9d
Headlines, CTAs, emphasis shapes
Riso Blue
#2563eb
Body text, secondary shapes
Orange
#ff8a00
Accent marks, registration
Green
#22c55e
Registration marks, labels
Newsprint
#fffbf0
Always the base — never pure white
Overprint Color Mixing — Two Ink Plates
Pink + Blue
Pink + Orange
Blue + Green
Orange + Green
06 / Design Rules
Risograph is defined by what it cannot do. The constraints of the machine are the aesthetic. Work within them, not around them.
Do — Follow the Press
Don't — Break the Machine
07 / Typography
Monospaced typefaces mimic the mechanical uniformity of stencil printing. Bold, poster-scale headings. Zero decorative fonts.
Aa
Monospace
font-mono — Bold Grotesque
Every character occupies equal width — like a drum pressing ink with measured mechanical precision. No variable-width humanist typefaces. The typewriter is the machine; the machine is the aesthetic.
OVERPRINT
MISREGISTER
FLAT INK
Newsprint grain
Soy-based inks on warm paper stock — one pass at a time.
Poster Typography — Misregistration Text Effect
RISO
GRAPH
Print aesthetics for the digital age
08 / Animation
The printing press is a machine. All motion must feel mechanical — instant, snapping, without organic easing.
Misregistration Offset
Hover must use dual-direction shadows — one bottom-right (blue plate), one top-left (orange plate). Single shadows are forbidden.
hover:shadow-[6px_6px_0_#2563eb,
-4px_-4px_0_#ff8a00]Instant Print
All transitions use duration-100 ease-linear — mechanical press speed. Never ease-in-out. Never slow organic fades.
transition-all
duration-100
ease-linearRegistration Shift
Green corner element is offset at rest. On hover it translates to (0, 0) — the registration mark locks into place as press completes.
Hover Card
translate-x-2 -translate-y-2
group-hover:translate-x-0
group-hover:translate-y-0