Dada tradition meets Pop Art energy. Fonts collide, elements overlap, textures accumulate. Design that knows it is made of pieces.
Six fragments, each a different source. Torn edges, tape marks, mismatched borders.
When serif meets sans-serif at full force, tension becomes beauty. No apologies.
The physical act of cutting transforms the page into raw material. Reassemble at will.
Logic is the enemy of art. The Dadaists knew this. Do your interfaces know this?
Newspaper fragments, magazine headlines, advertising slogans — all valid material.
The grain, the tooth, the yellowing edges — every surface holds memory and character.
Even design rules can be cut, rearranged, and pasted onto new surfaces. Nothing is fixed.
Every component carries the marks of assembly — mismatched borders, colliding type, tape traces.
Collage Buttons
Collage Card
A card that knows it is a clipping. Layered paper, mismatched borders, the physical memory of scissors and paste.
Typewriter Input
The same phrase rendered four ways. Click each style to see the philosophy in action.
Design is Collage
Classical authority. Newspaper headlines. Timeless cut.
Design is Collage
Design is Collage
Design is Collage
Swatches cut from different sources — each one carrying its own angle and history.
Dark Charcoal
#2d2d2d
Primary
Cut Red
#e74c3c
Accent Red
Magazine Blue
#3498db
Accent Blue
Paste Yellow
#f39c12
Accent Yellow
Scrap Purple
#9b59b6
Accent Purple
“Color in collage is not chosen — it is found. The red that bleeds from a magazine advertisement carries more truth than any Pantone swatch.”
— Studio Note, 1968Click any statement to pin it. Collect what matters to you.
CUT
Two flyers, torn from different sources, pinned side by side. Read both.